For all you gear heads
Here is something for the spank bank of all you gear heads out there. A list of gear we used on the recording early this last. This was all done at Sammy's live venue. A huge old theater with amazing acoustics and serious BOOOOOM!!!
Ben used his fathers 1970's Ludwig Vistalite for Kick, rack tom and floor tom. John Bonam steez. It's an orange perspex kit and sounds so awesome. It's vintage; I'm pretty sure Chris has owned it since brand new. He also used a rebuilt Rodgers 18" floor tom and a home re-built snare of unknown origin. AWESOME EH?? It sounded bad arse.
Mike played through his Epiphone Fire Bird into an Ashodown head played through some home built cabs made by Chris and Nick(Ben's Brother). We used an 18" Speaker for fatty boom boom and a 2x12" speaker cab for punch. 18" speakers usually go with 2x10" if your looking at the tried and true 'modern method'. But 2x12" is old school, and when your playing in a rhythm section with a 30 year old drum kit you don't want a bass sound from today. It sounded fucking stupidly awesome. Like Entwistle but on less drugs and without the skeleton suit.
Paul played his Gibson through a Fender Deville 2x12" (after testing between that and a 15w orange head that was awesome but didn't quite gleam like the Fender) and used his boss multi effects unit too. It sounded dirty and fat which is a nice change from his Marshall. We managed to break the reverb tank somehow so that was shit, but i got it up and running on one spring which was better than none.
I played my Epiphone SG into a Fender Deville, passing through my Vox Valvetronix pre-amp via the Deville's effects loop. It was pretty rad hearing all my tones and effects, that I've worked on for four years, being slammed through some power tubes and really shimmering. I think Paul felt the same about his guitar tones.
Skinny played Graeme Tongue's Martin acoustic guitar in one of the changing rooms down the back of Sammy's. Stu miked it with both his Royer's and it sounded amazing.
Skinny recorded synth parts on Ben's Micro-Korg synth at Stu's parents place one awful hung-over morning.
Gotta thank Stu Harwood for all his work finding us the best deals on the best gear he could get. Also Tex Houstan, Rob Falconer, Mike Maroney, Graeme Peter's, Dale Cotton, Chris and Nick Sargeant, Lee Nicholson, and Chris Keogh for all the awesome gear they let us use, there's probably many others too but my memory is poor. Lyn Sargeant and Marg Konijn also must be thanked for providing us with food!!!! Cheers
Indicating is for other people.
9 months ago